| Former type | Comic publisher |
|---|---|
| Industry | Publishing |
| Founded | 1992 (launched) |
| Founder(s) | Jim Lee |
| Defunct | 2010 |
| Headquarters | La Jolla, Callifornia |
| Key people | Jim Lee Hank Kanalz Ben Abernathy |
| Products | Comic books |
| Parent | DC Comics |
| Website | Official site |
WildStorm Productions, or simply WildStorm, (often rendered Wildstorm) published American comic books. Originally an independent company established by Jim Lee and further expanded upon in subsequent years by other creators, WildStorm became a publishing imprint of DC Comics in 1999. Until it was shut down, the WildStorm imprint remained editorially separate from DC Comics, with its main studio located on the West Coast. The imprint took its name from the combining of the titles of the Jim Lee comic series WildC.A.T.S. and Stormwatch.
WildStorm published common American comics, as well as creator-owned material and licensed properties from other companies, covering a wide variety of genres. Its main fictional universe, the Wildstorm Universe, features typical costumed heroes in various scenarios.
The publishing activities of WildStorm have varied, with changes in ownership affecting the ongoing publication of some of its titles. Peaking during the 1990s, WildStorm maintained a number of its core titles from its early period (such as WildC.A.T.S. and Stormwatch) and subsequently continued to publish material expanding its core universe. WildStorm's main titles included WildC.A.T.S, Stormwatch, Gen¹³, Wetworks and The Authority, though it also produces single-character-oriented series like Deathblow and Midnighter, and has at times published secondary titles like Welcome to Tranquility.
WildStorm published a number of comics based on creator-owned material and licensed properties such as Astro City, Danger Girl, Red Menace, Ex Machina, Friday the 13th, A God Somewhere, A Nightmare on Elm Street, The Texas Chainsaw Massacre, World of Warcraft, StarCraft, the Dante's Inferno game and The X-Files.
In September 2010, DC announced plans to shut down the WildStorm imprint in December 2010 and absorb some of its characters into the DC Universe banner sometime in the future.[1]
Contents |
Throughout most of its history the studio has published many comic book titles in continuity with each other (the Wildstorm Universe), as well as a wide variety of unrelated, creator-driven titles such as Ex Machina, Kurt Busiek's Astro City and Alan Moore's America's Best Comics line.
Major WildStorm Universe titles include;
Following a few years as a mature-readers-only superhero imprint Eye of the Storm, in September 2006 WildStorm rebooted its Universe in the WorldStorm event.
WildStorm began in 1992 after a number of artists and creators working in the comic-book industry came together to form Image Comics. WildStorm grew out of the roots of Homage Studios and of the range of characters that had originated there. WildStorm published under the Image imprint. Image itself became the successor to WildStorm Productions and published other imprints (such as Top Cow) where creators could work with their content as they wished.
WildStorm became one of the founding studios that joined together in 1992 to form Image Comics. It grew out of Homage Studios, founded by artists Scott Williams, Whilce Portacio, Jim Lee, and Joe Chiodo in San Diego, California. Lee, Williams, and Portacio had gained notoriety from their work on various X-Men titles at Marvel Comics.
In late 1992, penciller Marc Silvestri joined the studio to work on the first issue of Cyberforce. Although he worked at the studio, his projects would debut as a new Image imprint named Top Cow. Silvestri continued to work out of WildStorm's studio for about two years. Although WildStorm considered attracting talent from the "Big Two" (Marvel and DC) such as John Romita Jr., Lee decided instead to find new talent.
Lee's talent-search yielded Brett Booth in 1992, then J. Scott Campbell in 1993. Apart from McFarlane's Spawn, WildStorm produced the most consistently commercially-successful comics from Image, including Lee's own titles WildC.A.T.s and the teen-hero title Gen¹³, illustrated by J. Scott Campbell. Like many other Image titles, some of the WildStorm titles suffered from inconsistent completion and shipping, resulting in "monthly" comics coming out every few months. This era, however, produced a number of titles of varying popularity including the aforementioned Gen¹³ and WildC.A.T.s, The Maxx, Stormwatch, Deathblow, Cybernary, and Whilce Portacio's Wetworks.
Attempts to get the studio's characters into other media proved disappointing. A Saturday morning cartoon series of the WildC.A.T.s lasted only a single season (1994–1995), while a full-length animated version of Gen¹³ was produced but never released. Disney, who had acquired the distribution rights, later released the film only in a few foreign markets, leaving Jim Lee frustrated. Toys from both titles were less successful than those made by Todd McFarlane, partly due to bad marketing and partly because the McFarlane toys were targeted for a more mature audience. However, they had a big success copying Wizards of the Coast's Magic: The Gathering with their introduction of the Superhero card game, Wildstorms, which later spun off into a crossover set of cards with Marvel. The crossover was the swan song for the Wildstorms game though, as Marvel's merchandising clout succeeded in pushing Wildstorm's out of the spotlight. Although the timing was right with their card game, they were too early by a year with a Pog game which used the Wildcats characters that they released in 1993.
In 1995, WildStorm created an imprint named Homage Comics, centered around more writer-driven books. The imprint started with Kurt Busiek's Astro City and The Wizard's Tale, James Robinson's Leave It to Chance (with Paul Smith) and Terry Moore's Strangers In Paradise. Subsequently the imprint featured works by Sam Kieth, including The Maxx, Zero Girl and Four Women, and three of Warren Ellis' pop-comics mini-series, Mek, Red and Reload.
In 1997, Cliffhanger debuted a line of creator-owned comic books which included such popular works as J. Scott Campbell's Danger Girl, Joe Madureira's Battle Chasers, Humberto Ramos' Crimson and Out There, Joe Kelly & Chris Bachalo's Steampunk, Kurt Busiek and Carlos Pacheco's Arrowsmith and Warren Ellis's Two-Step and Tokyo Storm Warning.
1997 also saw a revamp of all the WildStorm Universe titles, including such prominent comic-book names as Alan Moore, Warren Ellis, Adam Warren, Sean Phillips and Joe Casey. After this revamp the new Wildcats series, Stormwatch and DV8 took the places of the most popular and most commercially successful comics of the WildStorm Universe.
As sales of comic books went into decline from 1993, Jim Lee started to look for a buyer in the mid-1990s. The result was the 1998 acquisition of WildStorm by DC Comics (effective January 1999). According to DC, this was meant to "strengthen both WildStorm's ability to expand its editorial goals and diversifying DC's output".[2] DC's acquisition of WildStorm allowed the two universes to interact with each other, with the result that characters from each universe would soon make appearances in each other's titles.
1999 became a hallmark year for WildStorm. It launched several new titles, including The Authority, a dark and violent superhero comic, whose heroes had total disregard about things such as honorable battle or not killing their opponents; its goal was only in making the world a better place. Warren Ellis created The Authority from the ashes of Stormwatch. He would write its first twelve issues before handing the series over to Mark Millar. The Authority fused the hope and strivings of the Silver Age superheroes with a cynical look at humanity. The fight between the heroes and the corrupt parts of humanity would lead the series into the 2004 Wildstorm crossover, Coup d'Etat, where the Authority would take control of the United States of America. Ellis and artist John Cassaday would create Planetary, a story about explorers of the strange. This would be an experiment in intermeshing a look at pop culture, comic book history and literature with Cassaday's unique artwork.
Around this time, WildStorm also launched a new imprint titled America's Best Comics. This was specifically to allow Alan Moore to create a number of comics based on his own ideas. The line has been widely lauded and awarded, giving life to titles such as Promethea, The League of Extraordinary Gentlemen, Tomorrow Stories, Tom Strong and Top 10.
The studio launched Eye of the Storm in 2001 as an experiment. Most of the WildStorm imprint morphed into "Mature Readers" superhero comics. Joe Casey kept writing Wildcats, although it became Wildcats 3.0. The new version was penciled by Dustin Nguyen with inks by Richard Friend. Gen 13 was relaunched with a new first issue, written by X-Men's Chris Claremont. Gen13 spinoff 21 Down was written by Jimmy Palmiotti and Justin Grey. After Point Blank, a mini-series starring Grifter, Ed Brubaker carried on with the same ideas and launched the critically acclaimed Sleeper, set in the WildStorm universe.
2001 also saw the start of Warren Ellis's Global Frequency. The rights for Global Frequency were bought by Warner Bros. in 2004 and a pilot for a TV series for the WB network was made. However, the show was not picked up, although the pilot was later leaked to the internet.[3] Stormwatch was relaunched as Stormwatch: Team Achilles, an anti-superhero book featuring Black Razors-leader Ben Santini and his group of soldiers marking humans stand in the WildStorm Universe.
The studio gave The Authority to writer Robbie Morrison. The Authority team starred in a one-shot called "Scorched Earth" (2003) and appeared in a back-up story that ran in all the "Eye of the Storm" titles. After this, they finally received a new ongoing series. It was the series that featured a storyline that became the "Coup D'État" crossover, which ran through Authority, Sleeper, Stormwatch: Team Achilles and Wildcats 3.0.
Two "Winter Special" anthologies also came out, but sales floundered on both despite critical acclaim. Some titles, such as Gen 13, suffered cancellation early on and 21 Down did not get its planned second season. Thus, most of the line was canceled two years after its foundation, except for Sleeper, which got its second season published and had a definite ending. Wildcats 3.0 was the title fans most derided DC for canceling, considering writer Joe Casey stated that he planned an organic ending in #40. Even though canceled, Stormwatch: Team Achilles's last issue never came out due to very low sales.
In 2004, WildStorm revamped its system of sub-imprints. The company properties fell under the Wildstorm Universe imprint, the creator-owned properties fell under the WildStorm Signature Series imprint and all the licensed properties fell under the WildStorm imprint.
In the post-Eye of the Storm state, WildStorm published fewer titles centered around its Wildstorm universe titles, including Majestic, whose series grew out of his spotlight in Superman titles and Wildcats: Nemesis. In August 2006, WildStorm consolidated all its output under a single "WildStorm" label to simplify the imprint brand for consumers and retailers. In 2007, the Wildstorm universe became Earth-50 as part of the DC Multiverse.
In April 2008, it was announced by Ben Abernathy that the events of Wildstorm: Revelations, Wildstorm: Armageddon and Number of the Beast would segue into Wildstorm: World's End, a post-apocalyptic direction for the line.[4] In July of the same year Christos Gage and Neil Googe published a new WildCats: World's End #1. There followed in August 2008 a new Authority: World's End #1 by Dan Abnett and Andy Lanning with art by Simon Coleby, Gen13 #21 by Scott Beatty with art by Mike Huddleson, and Stormwatch: PHD #13 by Ian Edginton with art by Leandro Fernández & Francisco Paronzini.
The Stormwatch: PHD title ended in November 2009. The remaining series each received another creative-team shake-up as 2010 began: February's The Authority #18 by Marc Bernardin and Adam Freeman with art by Al Barrionuevo, Wildcats #19 by Adam Beechen with art by Tim Seeley and Ryan Winn and April's Gen13 #35 by Phil Hester and art by Cruddie Torian.
WildStorm varied its publishing with licensed properties, such as A Nightmare on Elm Street, Friday the 13th, The Texas Chainsaw Massacre, World of Warcraft, The X-Files and Dante's Inferno. WildStorm has also published original graphic novels from the pens of writers Kevin J. Anderson, John Ridley and David Brin.
The imprint was shut down in December 2010, with Wildcats #30 and Authority #29 as its last issues, although DC announced that the characters would be integrated into the DC Universe some time in the future.[1][5]
In June 2011, DC Comics announced the relaunch of its DC Universe imprint in September 2011; the relaunch will include ongoing solo series for Voodoo and Grifter, & a revived Stormwatch series featuring Martian Manhunter, Jack Hawksmoor, Midnighter, Apollo, the Engineer, and Jenny Quantum.[6][7][8]
|
|||||||||||||||||